glow season 2 episode 7 This is a topic that many people are looking for. newyorkcityvoices.org is a channel providing useful information about learning, life, digital marketing and online courses …. it will help you have an overview and solid multi-faceted knowledge . Today, newyorkcityvoices.org would like to introduce to you Bob Ross – Brown Mountain (Season 2 Episode 7). Following along are instructions in the video below:
“Well here we go again you ready to paint a nfantastic picture with me. I i thought today we d do something nout of the rocky mountain areas. We ve a lot of nrequests for some mountains that look more like the nrocky mountains rather than the alaskan mountains nthat. I do all the time so that s what we ll do today.
I ve also asked them to graphically run the colors that we use by so in case you missed them non the first or second show. This way you ll have a chance nto pick up all the colors that we have on the palette. So let s do it i m gonna start off. Here ntoday with a little bit of prussian blue just a tiny bit of prussian blue okay and right at the very top.
We re gonna start by making x s just all the way across the canvass. There now here you re allowing nthe magic white to mix with the colors on your nbrush and automatically as you work downward the sky gets lighter as you near the horizon. So let your paint work nlet the brush work alright there we go now while i ve got nblue on the brush here. I want to add a tiny bit nmore blue and a little bit of thalo green.
Just a little bit. It s very very strong and we ll put some water in here now pull your water from the noutside toward the center and work from bottom to top and leave a little area open nin. The center right there and it ll create a happy nlittle sheen of light that plays across the water okay okay now let me wash the brush and we wash these brushes nwith odorless paint thinner and be sure. It s odorless.
Okay now with a clean nbrush. We re gonna start right in the light area and work upward just to blend the sky out. Now you don t wanna take nall the little actions out that s the reason we make these nlittle crisscross strokes. Don t want to take them all out your sky ll be very very dull.
Look like you pulled a ncurtain down at night. There and the water. We just go all nthe way across very gently just enough to bring it together okay let s make some nalmighty clouds. Today.
I want to take the prussian blue and the van dyke brown and a touch of alizarin crimson. And we mix these on the brush. Just just mix them on the brush alright now figure out. Where you want nyour almighty clouds to be and just begin working in nlittle circular patterns and when you first touch the canvass if it s not the color.
You want nstop and change the color don t keep painting cause. This is your world and you can create anything nthat you want in it blue brown. A little touch of crimson. There we go just let these big ol clouds just float around the sky and have fun clouds are about the nfree est thing in nature.
There blue brown a touch of crimson. Maybe there s another none right over in here. We re gonna put a couple in so you have practice ndoing. A couple of em okay now clean the brush again okay let s take the fan brush now and we ll take titanium white and to that i m gonna nadd just the smallest smallest little bit of permanent red now this red is very very strong just want to put a little nsunlight on top of these clouds and go right above the dark making little tiny circles nwith.
The corner of the brush and begin building. These almighty clouds let them just flow right noff of your fan brush. But don t stay in one narea and keep working all you ll do is put a big ncotton ball up in the sky. There leave some darks in these clouds.
There we go and you ll probably notice by now we don t use any patterns. Nor. Any guidelines. We just let it flow right nout of us onto the canvass.
There this is such a free nfree style of painting alright over here. We ll nput some little highlights. The only guidelines. We use in this style of painting is our imagination.
Okay now once again nwith the large brush. We want to blend just the bottom out not touch the top yet we will later..
But not yet just the bottom just the bottom just blend it together a little bit don t overwork it very very easy to overwork this just enough to bring it together a little okay now i m gonna fluff it up just fluff. It now when you fluff this thing up if you get these little nstringies up in the sky. Don t worry about them because nwhen you blend it together they go away don t overwork your clouds nthey re easy to destroy when i was a traditional npainter clouds were one of the things that really gave me a fit. Okay now today.
We said we was going to do some big brown rocky type mountains so let s start with nstraight. Van dyke brown a lot of paint on the knife and we ll come up in here nand make an almighty peak. Ah. There we go a lot of paint you re just pushing this npaint onto the canvass and decide where you want peaks since you re creating these mountains you can put peaks and vallies nwherever.
You want em maybe. There s another one right in here. Okay just get a basic shape of the mountain okey dokey. And i m gonna use a large brush and just blend this out over the bottom just blend it on the bottom now very gently lift upward.
There we go that s good now we clean the brush again. Now let s take let s take burnt umber and cad yellow and mix it together mix. It together let s throw a little nyellow ochre in there too oh that s nice mix it so it s marblely ndo. N t mix it until it s dead let all the little things nhappen in the paint.
Okay. Now let s put some nhighlights on this mountain. And all we re gonna do is touch. Nthe.
Canvass and let it flow just let it flow let s go right up. Here. There. Let s brighten nthis.
One a little bit oh. There that s what we re looking for and we need a highlight over nhere on this happy little hill. There we are something right there oops. I see a little light striking that little thing right there and here we go here s another one there isn t that fun just let all these things happen.
But you can see what s nhappening in here. Because you didn t over mix the paint. If you d over mixed it you nwould ve had one solid color. You wouldn t have all of these pretty little things that are happening okay now let s make some shadow color.
I m gonna take a little bit nof white some prussian blue van dyke brown mix all that together maybe a touch more white. There that s what i m looking for and that s prussian blue nvan dyke brown and white. Okay now let s put some nhappy little shadows in here. Maybe right along like this there once again don t over mix your paint allow all these little nthings.
Just to happen let the paint break. And by break. I mean leave all of nthese. Little open spots just let it happen look at that son of a gun now we need a little shadow in here.
Don t want to forget him every highlight needs nits own private shadow. There and a couple in here. And there like so now we can go back with a little more of the highlight color and begin building all kinds of little happy things in here. There remember every highlight nneeds its shadow.
There s a highlight watch what happens when we throw na little shadow behind him. He becomes a separate entity and maybe maybe maybe maybe. There s a little bit of snow still laying in some of the little shadowy areas here so we take a little bit of titanium white and very gently following nthe contour of the mountain lay in a little bit of snow here. Maybe.
There s a little over nin this little place too just a tiny little bit okay. Now..
I m gonna take na. Little bit of the blue and white and put a little shadow right on here just lay it right on the side now with a clean knife. You just bring all this together just bring it together there we go bring this one right on back down okay something like so now i m gonna add a little ntiny bit of sap green and just drop it right ninto the bottom area. Here.
Just like so little bit of sap green and you ll see why here. In just a second. Okay. Alright now with a clean dry 1 inch brush.
I m just gonna begin gently lifting up just lift it up and do this in layers and work it right up the nside of the mountain. There we go want to add a little bit nof cad yellow to my brush. So i can brighten a few little spots. There a little more yellow just pop.
It in and you bend the bristles and pop. It dup dup dup. Just right on up. There we go okay.
Maybe maybe. There s another happy little rock right out here like so just let these little things happen. Where ever you think they should be remember. This is your world and you control.
It little highlight color and little tiny bit of nshadow here. And there and then once again nwith our 1 inch brush. We begin lifting just to bring all this together there we go now maybe from this little projection. Let s mix up some sap.
Ngreen prussian. Blue van dyke brown in about equal parts green brown and blue in about equal parts. Okay. Now then with a fan brush lets put some little indications of some little evergreens back here right about in here.
We just want indications. I m not looking for detail. Yet you know when you re showing ndistance in a painting. The lack of detail is as nimportant as when you re showing something that s very close nto you in the foreground.
And you want a lot of detail lack of detail can be very valuable too. Just a little something like so and then back to our little 1 inch. Brush. And we sort of bring all of that together there now now that was so much fun.
Let s do some more maybe. There s a little foothill that runs right down through here. So let s just start making. These little indications with a fan brush.
It s a good way to make a nlot of trees real quick. And when you see trees nway off in the distance. You don t see a lot of detail you make out basic ncolors and basic shapes. But that s all you knew that though i know okay maybe this climbs right on up here.
Maybe. There s a nice little hill here and while we ve got this ncolor on the fan brush. We ll just throw in some little ngrassy areas underneath. It just like so now maybe.
There are a nfew evergreens. Here that are a little bit closer so they re going to be a nlittle bit more distinct..
So maybe. There s one right here. And we touch touch touch touch. And just begin building a little tree.
There he comes. He s a little closer so there s a little more detail in him. There. Just a couple of those here.
And there now. I m going to take a nlittle. Bit of sap green a little touch of yellow and the tiniest tiniest nlittle. Bit of magic white just to thin.
It a tiny tiny bit and we ll begin putting nsome details in here. Just a little grassy areas back in here. Just run right on up the hill. Follow the lay of the land now with a large brush grab onto the bottom nof.
This and pull down just pull it down straight down. There we go and then gently go across just to give it a reflection. Look like so okay. Now we ll take a little bit of magic white and we ll put a very small namount of van dyke brown in it just to dull it down and we ll make some happy nlittle water lines back here there and just let this water nline travel wherever you want it to go the lines need to remain basically straight keep your water in the painting.
Okay. I tell you what today. Let s use the big nbrush and play a little bit. I m going right back into this color.
That i used to make the evergreens and this was equal parts of nblue brown and sap green and load this brush full of paint a lot of paint on it and so often we avoid this big brush and it will do fantastic things see there now let s make that into a nnice. Little evergreen tree just use this ol big brush now as i teach this across the ncountry one thing. I ve noticed children are so fantastic to work with because they don t know you ndon t paint an evergreen with a 2 1. 2.
Inch brush. You tell em to do it. And they do it. This is such a fantastic nstyle for children.
My son. Steve is 17 years old now. And he s been painting since he was 12 that son of a gun is an almighty painter. And he makes a happy buck or two okay.
Maybe maybe another little tree right. There just let these work right nout of your big brush. And we ll put some little grassy areas right out through here. Okay.
Now let s go to the other side of the canvass and really make a big tree. A lot of paint in the bristles. Let s get up here in the clouds. There look at that did you ever think you could nmake a little bitty tree with a brush that big pick it up and try it that s all you really have to do okay.
Now maybe i don t want him to get lonely. I ll give him a little friend there maybe right there. Yeah okay. While i ve got this ndark paint on the brush.
We ll just bring a land mass nright down through here okay. Now with a clean dry brush ni..
m just gonna grab this and pull straight down ncreate. Some reflections come across very gently let s put some little tree trunks in here use burnt umber. A little ntiny bit of white in it we ll come right along here on these trees and just here. And there nlay in a trunk indication.
There now in case. You missed the last show. I d like to re mention nagain. If there s something you want to see drop nus a line let us know we would really like to npaint the type of scenes and the places that you want to see and you can drop us a line wipb muncie indiana.
And we ll certainly be nglad to hear from you okay now let s take a tiny bit of magic white. Little yellow and sap green yellow and sap green and let s put a few little ntrees here. And there there we go just let them fall in maybe. There s one lives right out.
Here like so. There s one just happy little things let s take the large brush little magic white on it and i m gonna go right into this yellow right into the yellow load. A lot of paint into the bristles and sap green put the yellow on first nand. Then the green on top and let s let s put.
Some highlights on these big trees here. There just let that brush bounce and play. Where you think light s ngoing to strike. These trees in your world you even control.
The light. Oh look at them son of a guns. There we go okay. There we are now let s take a little nmore of the green and yellow and pop.
These reflections nright into the water like so i m going back to my fan brush with yellow and green on it and sort of begin bringing nall this together just touch bend the brush upward just like so i m gonna take a little nof. The van dyke brown and burnt umber mixed and create a little bank here. There we go a little bit of highlight nout of brown and white with the least least nlittle touch of blue just to give it a little flavor okay little magic white and we ll throw a happy nlittle water line in here and with a nice clean dry brush pull this down a little just to create some nnice little reflections and back to my fan brush. A little magic white on nit to thin the paint.
And we ll bring a few little nthings right down like that isn t that something now. Let s go right over here create some little grassy things up here and the sun shining. There oooh look at all those little things and they happen so quickly okay. Maybe.
Maybe. Maybe maybe we can put a happy little stone right out here on this it just looks to me like na good place for a stone. And we ll take a little bit of nthe mountain. Highlight color.
And just put a little nhighlight on that stone. And let a little bit of it come downward little bit of grass underneath nit so it comes together now. I m gonna take the point of the knife put a few little sticks here. And there just a few and maybe maybe i ll add one more little bush here looks to me like he needs another one right in here just to separate these two there we go and we can put maybe.
There s some little dirt in here. Little rocky things showing nthrough here and there put a little bit of highlight on that and with our green and yellow just gently pop a few nlittle things in there like so and i think we ve just nabout got that one finished. The old clock on the wall s telling me i gotta get outta here nso. I ll sign this one i d like to wish you happy painting next week.
We ll do a white canvass so have your canvass on your easel and be ready to go with us happy painting. ” ..
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